With some vignetting correction in Adobe Lightroom, the photo at f/2.8 looks as follows – compare it to the supplied photo taken with the large Nikon 24-70mm f/2.8G ED – one of Nikon’s professional FX “trinity” lenses. —– I shoot quite a lot with DX lenses on FX, and those I use need very little cropping to get rid of the vignetting. I performed autofocus finetuning with DX 35mm f1.8 mounted at the D850 and the results where perfect! It focuses and just shoots in any light. With the D750, you can still use DX lenses, as long as it has the same mount (which it should), and it will use a “DX Crop mode” giving it the capability to use these lenses with no vignetting. The Nikon D750 yields very impressive results at different ISO levels. Like any two other hotly competing brands, which is best depends more on your personal preferences as to what is important to you. D750, 20mm f/1.8, f/1.8 at 1/20 at Auto ISO 800, hand-held from inside taxi, Perfectly Clear. The D810 requires much more juggling around in its four plus four more settings banks, none of which lock against accidental resetting. Hands down one of the sharpest lenses you can put on your DX body, and that f/1.8 aperture wins back much of what you give up when you don’t opt for FX (compared to f/2.8 FX zooms). How was the result of the combination of 35mm DX lens on D850 for Milky Way? They often will just hang up and not focus in very dim light. I usually shoot in AF-A mode. With DX lenses you throw away most of the performance of the D750. AF easily focuses in darkness, with any or all of the AF areas. Mounting DX lenses on FX bodies has always been possible, with the FX DSLR automatically cropping the image frame to only output the area covered by the DX sensor. The Nikons are pointier while the Canons are more rounded everywhere. I'm not going to bother sending my camera anyplace, although I may send it towards the end of it's warranty since Nikon always gives cameras a cleaning and a once-over before it returns them. Dead-on AF in dim light at f/1.4. I was somewhat resigned to the fact that I’d have to use them a lot, rather than the autofocusing DX lenses. There is also to shoot in 1.2x crop mode, which may allow more of your DX lenses to be used. This projected image circle must be large enough to cover the rectangular sensor, like so: Lenses designed for Nikon DX generally project a smaller image circle because they only need to cover the smaller DX sensor. Just one interesting example then: One of the DX lenses I use is the Nikkor 12-24mm DX and by understanding this lens I can cut out the ‘vignetting’ in my mind and just shoot on my FX anyway, by understanding that it ‘is’ a ‘super-wide’ that will have this vignette problem but that, I can deal with it in Post Processing. If one brand has a unique lens you really like, like Nikon's 28-300mm VR for which Canon has no direct replacement at a similar size, weight and price, go Nikon. Thanks. Thanks! All rights reserved. In any other modes, like my favorite U1, U2 and P modes, it's not smart enough to revert to the A mode as are most other Nikon cameras. This should be an incentive to update your copyright and contact information, otherwise your photos will be marked with my information You will need to update your information in three places: MENU > SETUP > Image Comment and MENU > SETUP > Copyright information for both Artist and Copyright. So it's a draw. The Canon cameras work entirely differently from Nikon. (750g) stripped naked without battery, card, strap, monitor cover or lens. I didn't want to stop down further as diffraction would have dulled the higher ISO images, and a neutral-density filter could have shifted color and contrast slightly. Another important factor is the availability of image stabilization. With DX lenses you throw away most of the performance of the D750. Keep in mind that the only other lenses that come close are the Tokina 16-28mm f/2.8 Pro FX or the excellent, but much more expensive Nikon 14-24mm f/2.8G ED. 24 MP Full-Frame, 6.5 FPS, USA Version Accessories Â Â Performance, Compared Usage Recommendations More. Today I have shot with the DX 35mm f1.8 mounted on my D850. The was no lens vignetting at all in the images, and the test images are razor sharp after. I program my D750 so the OK button gives me one-click all the way zoom-in (MENU > Custom > f1 (OK) > Playback Mode > Zoom on/off > 100%), but I still have to hit PLAY first on the Nikon with a second hand — while on my Canon, one click from one finger both starts play and zooms all the way in. Nikon D750 Digital SLR Camera with 18-55mm NIKKOR VR Lens + Backup Power Kit. If you see some weird flare in your image files when you have a very bright light along the top edge of the frame, Nikon has a D750 shutter recall to take care of it. February 2020 Better Pictures Nikon Reviews Nikon Lenses Nikon Flash All Reviews, Sample Photographs from Yosemite and California's Eastern Sierra October 2014. Group-area AF uses clusters of 5 sensors at a time. $1,497 new or about $950 used if you know How to Win at eBay, body only. Make an Offer . I use AF-C and AUTO Area Select. The biggest visible difference is in the dew drops on the palm fronds and the detail in the dark trunk at the bottom. AC adapter EH-5a and EP-5 power connector. Here is an example of what you see with a Nikon 18-200mm f/3.5-5.6G DX VR lens on a Nikon FX camera (single frame from a HD video sequence recorded with a Nikon D600): The bad news is that high quality FX lenses like Nikon’s golden “trinity” are intimidatingly expensive, big and heavy. It’s capable of producing outstanding pictures, but the quality of the lens used has a bearing on image quality. If I want to pick the zone and let the camera track the subject all over the frame, select 3D. 4 works really well for a lot of scenarios. Yes, with your D750 in auto DX mode, your old DX lenses will have the equivalent focal length & depth of field of a lens that is 1.5 time the stated values on the lens. 3,936 x 2,624 (L, 10MP), 2,944 x 1,968 (M, 6MP) or 1,968 x 1,312 (S, 2.6MP). *YRGB (luminance, reg green and blue) adds a fourth white dot to the traditional three-dot RGB triad, allowing for greater brightness. Alle Rechte vorbehalten. U1 and U2 preset modes performance top. To see a level or virtual horizon display in the finder, assign this to an Fn button (MENU > Custom Settings > f2 Assign Fn Button > Press) and then press that button. You can buy it with the kit lens and I think you’ll be pleased with the results. Hold the button on the shooter's left near the bottom of the lens and spin the two dials to set this. And light! I was blown away by the outstanding image quality of this cheapest Nikon lens. I use AF-A and AUTO Area Select, which usually just locks as soon as focused, but will track if something just happens to be moving. C $2,599.79. If you do, mural-sized prints look spectacular. C $1,724.35. Color rendition matches the Picture Control settings of other Nikons. Will be tripodded so low F number is not a problem + bracketing. HINT: with manual-focus (non-AF) lenses, the D750 only works in the A and M top-dial settings (Aperture-priority and Manual exposure modes). For shooting sports and action, I set AF-C and either Auto AF-Area or 3D. For those looking on here, just keep in mind that an FX lens used on a DX Nikon does not change into a butterfly, it remains a grub! It's as loud as the normal S mode, except that it disconnects the shutter cycle so the shutter doesn't recharge until you lift your finger from the shutter. Dark LCD boxes indicate AF areas, lit occasionally in red. I set U1 for places and things, and U2 for people. Bigger. These minor differences don't matter: a sharp, in-focus and unblurred photo at ISO 12,800 with the D750 is always going to be sharper than one with less depth of field or blurred from a same shot shot at a slower ISO if things are moving. If you'd like the camera to move the AF area all over the frame tracking your subject, use the front dial to select 3D — or just use AF-C (rear dial) and AUTO. If you noticed a weird flare with a brilliant light source along the top of your frame, Nikon will fix it for free. Got a set of Nikon lenses from 30 years ago? Input jack for Nikon ME-1 stereo mic ($130) or any other 3.5mm stereo mic, powered. Paired with the versatile array of full-frame or DX-format NIKKOR lens, the D750 is capable of telling any story you can imagine. You get much more camera for your money – the D500's specs easily outstrip the D750's; DX lenses are smaller, cheaper and lighter to carry around – and you can use FX lenses on DX … Technician's Assistant: What happened right before this popped up? False. In body image stabilization didn’t work. If you just want to set up your D750 exactly as I have mine set, simply download and copy this NCSETUPG.BIN file to your computer. Want to know the only lens I use with my D750 for family and travel photos? The built-in flash is great for everything for which you'd use on-camera flash. Be aware, however, that in very bright light without using an ND filter this lens will becomes less usable as you will have to resort to smaller apertures. I can shoot my D810 in quiet places and not annoy people, while the D750 can annoy casual subjects not expecting to have their picture taken. Category: Wide angle. If you need a zoom full frame fisheye, it's Canon. Thanks for helping me help you! The D600 and D610 have no facial recognition for autofocus You have to find the subject's eyes yourself. More to the point, I use both DX & FX (my first jump into digital because it (a D200) was available while FF’s were not). The rear LCD is big, bright, sharp and accurate, as we expect today. Functions of the Nikon D7500’s Buttons and Other Controls. You'll see a number on the top LCD or in the finder as you set this. This gives the poor and the rich, access to a very wide range of focal lengths, enriched by long lasting structures, hence lots of second hand gear. As this page is copyrighted and formally registered, it is unlawful to make copies, especially in the form of printouts for personal use. I would like to buy a telephoto lens for my holiday in July to shoot wildlife – maybe a 70-300 or 105- 200 mm. The charger is clumsy, requires you slip the battery into the hole instead of popping it in from the top like most good chargers, is useless unless you also bring another cord and plug, and the light is Nikon's standard blink while charging and solid when done. … $1,197 new, $900 refurbished (if available) or about $800 used if you know How to Win at eBay.